groups of indigenous dancers that included his mother. Guillermo’s artistic sensibilities were also greatly influenced by the music he heard played within his family circle and on the streets of Mazatlán, by the sounds of his environment and by the huge carnival culture of Mazatlán . The art school that Guillermo attended was located across the street from the Patronato de Carnaval de Mazatlán, the headquarters where the carnival festivities were prepared. He was able to watch the construction of carnival floats, attend the auditions of dancers and musicians, and was fascinated by the elaborate, surreal costumes that were a large part of the festivities.
Guillermo’s artistic development was also informed by Mexican folk art traditions and his exposure to the work of the Mexican painters Diego Rivera, José Clemente Orozco, David Alfaro Siqueiros, Rufino Tamayo as well as early 20th century European painters.
Guillermo Kelly’s fine art work includes landscapes, portraits and abstract works in watercolor, oil, acrylic and pastels, as well as murals such as those in the Capilla La Milagrosa in Mazatlán, Mexico and in historic St. Mary of the Assumption Church in Stockton, CA. He has also worked in mosaic and sculpture and has commissions in private collections, churches and public sites. He is currently involved in a proposal to create a large, sculptural mural on the cliffs of Mazatlán, a project that will also involve a major redesign of areas of the Mazatlán waterfront.
Over the years, Guillermo has been involved in community art in both Mexico and the United States. From 1984-1989 Guillermo worked with Los Pargo’s Community Group in Mazatlán teaching disabled children art as occupational therapy and he taught art at the National Institute of Fine Arts / Angela Peralta School. In 2010, as a volunteer at Armoas School, he directed a group of elementary school children in the construction of a 4’ x 17’ tile mural depicting the history of their small California town.
Guillermo also has much experience in commercial decoration, including architectural and interior design. He worked with the architect Hector Diaz for seven years on large projects for the Mexican government. Guillermo also designed the murals and decorative finishes of the Plaza Maya, a large upscale department store in the heart of Mazatlán’s tourist zone, as well as murals in Mazatlán’s Hotel Las Flores and Hotel Costa de Oro. Guillermo’s murals can also been seen in Tijuana, Guadalajara, La Paz, Mexico and in Oakland, Richmond, Hayward, Antioch and San Jose in California.